randian | 燃点

刘诗园的首次个展也许并不会太讨人喜欢，但最诱人之处在于光鲜奇异的视觉充盈效果。两个展厅的布置既松快又紧凑，这些装置采用了鲜花（一整面墙都打印上了鲜花图案）、水果、珠宝和表演者的鲜艳图片，其共同点就在于都被抽离出最初的语境。 >> 更多

(English) THE EDGE OF VISION, OR THE EDGE OF THE EARTH is Liu Shiyuan’s first solo exhibition presented by WHITE SPACE BEIJING, showcases the representative photography installations and videos from her artistic practice over the past two years. >> 更多

对不起，此内容只适用于English。 >> 更多

(English) The exhibition showcases an installation of photographic and video works bringing life to Impressionist paintings and questioning the perception of landscape in the contemporary context of digital modes of representation. >> 更多

年轻艺术家刘诗园谈对美的理解、自己作品中的黑色幽默，以及自己的新作。这个系列所关注的是例如豆腐这样的无形之形。
 
 
 
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(English) Angela Bulloch – ‘It's a feast for the mind because their appearance changes, so you're constantly doing adjustments with your eyes. Your eyes are trying to find the similarities, the differences, the irregularities. It’s like scratching an itchy place in the mind.’ >> 更多

(English) Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> 更多

(English) Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> 更多

男人们蹦跳呼喊，穿着满是织花的衣服从旁进过，他们的身体分化成飞舞的颜色。安迪愣了片刻才意识到，这些男人通红肿胀的脸和黑色空洞的眼睛是木质的面具。 >> 更多

(English) Echoes of the transgressive works of the early 2000s resound in the ceramics practice of Liu Xi (b.1986, Zibo, Shandong). Liu’s frank exploration of gender and sexuality is courageous. >> 更多